The Racial Mountain is still relevant today

In writer and journalist Morgan Jerkins’ article, “Why do you say you’re black?”,  Jerkins writes about her response to an older man who asked her why she calls herself black and not human. The man’s comment arose from his biases and conceptions about black people.  His racist beliefs about black people did not correspond with the accomplished, intelligent woman before him. How can he claim that race is not important when Jerkins’ race and beliefs are the first things that come up in the conversation? This reminded me of Langston Hughes’, “The Negro Artist and the Racial Mountain.” Jerkins and Hughes both explain why it is pertinent that black folks identify as black writers, artists, etc.

What came to mind when I read this Jerkins’ article was that white people have the privilege to be able to ignore race as much as they want. They are able to ignore race because they benefit from their whiteness at the expense of non-white people. They are not stopped by the police for no reason at all. Police stops will likely not have fatal results. They are not denied housing because of their race. The list of subtle and overt instances of racism that they do not have to experience goes on. In this way, they are able to disregard their own privilege as well as people of color’s lack of privilege.

Jerkins says how she used to think her race was unimportant. After the news story of Trayvon Martin, Jerkins could no longer ignore her black identity. She eloquently recounts her prior feelings about her identity by saying, “I used to believe that being both black and a woman could be extracted from my humanity like teeth weaseled from the gums”. Her metaphor describes how blackness is integral to her identity. Her blackness is something to be proud of. She learned of the necessity of acknowledging and owning her identity to battle against Hughes’ concept of the racial mountain. By owning her identity, Jerkins overturns racist stereotypes.

Having more black artists provides varying representations of black people, and empowers future black artists, intellectuals, leaders, etc.  Then the black identity can be considered a source of strength and power.

 

DACA

At the Wet: A DACAmented Journey, I learned a lot about the psychological tolls of being undocumented in the United States. Alex’s character, Anner, went through many governmental procedures just to fill the requirements to get his citizenship. This stress, along with the fear of being deported make this process much more difficult.

I was thinking throughout the play. How could someone who has lived in the United States his whole life not be considered an American? It does not make sense how someone can contribute to the society in positive ways and not receive the benefits of citizenship. Anner was a social worker; he helped many people while on DACA. Shutting down DACA will be very detrimental to this country. The United States will lose a lot of great minds and much of the backbone of the country. The criminalization of undocumented immigrants is not practical, it is racist.

Anner’s return to Guatemala reminded me of the passage from Hartman’s The Tribe of the Middle Passage because he was going back to his place of origin, but it was completely unfamiliar to him. He did not fit in. Africans had been displaced by Europeans and Colonial Americans. Similarly, as a result of Trump’s actions, undocumented immigrants will be forced to leave their familiar way of life in the United States.

Anner’s identity had gone through so many changes since he arrived in the United States as an infant. All the experiences add up to create his American identity. Wherever he goes outside of the U.S. people will recognize him as an American. In the beginning of the play, Anner was posting a piece of paper on the board. He was talking about one little piece of paper determining his citizenship status. Bans on DACA will displace so many people who call the U.S. their home. The country of origin is not always home. The United States will not suffer from more immigrants.